BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//Friends of Music - ECPv6.15.17.1//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-WR-CALNAME:Friends of Music
X-ORIGINAL-URL:https://friendsmusic.org
X-WR-CALDESC:Events for Friends of Music
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:America/New_York
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20200308T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20201101T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20210314T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20211107T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20220313T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20221106T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20230312T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20231105T060000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220501T150000
DTEND;TZID=America/New_York:20220501T170000
DTSTAMP:20260423T054026
CREATED:20220113T130734Z
LAST-MODIFIED:20220501T130956Z
UID:1059-1651417200-1651424400@friendsmusic.org
SUMMARY:CANCELED Kristina Marinova\, piano
DESCRIPTION:
URL:https://friendsmusic.org/event/kristina-marinova-4-rhapsodies/
LOCATION:Stamford United Methodist Church\, 88 Main St.\, Stamford\, NY\, 12167\, United States
ATTACH;FMTTYPE=image/jpeg:https://friendsmusic.org/wp-content/uploads/2022/01/2022-01-kristina-marinova-canceled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220424T150000
DTEND;TZID=America/New_York:20220424T170000
DTSTAMP:20260423T054026
CREATED:20220315T233615Z
LAST-MODIFIED:20220422T224105Z
UID:1124-1650812400-1650819600@friendsmusic.org
SUMMARY:Francesca Anderegg\, violin & Matthew McCright\, piano
DESCRIPTION:
URL:https://friendsmusic.org/event/francesca-anderegg-violin-matthew-mccright-piano/
LOCATION:Stamford United Methodist Church\, 88 Main St.\, Stamford\, NY\, 12167\, United States
ATTACH;FMTTYPE=image/jpeg:https://friendsmusic.org/wp-content/uploads/2022/03/Francesca-Andregg-0440-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20211205T150000
DTEND;TZID=America/New_York:20211205T170000
DTSTAMP:20260423T054026
CREATED:20210210T155445Z
LAST-MODIFIED:20211201T050656Z
UID:139-1638716400-1638723600@friendsmusic.org
SUMMARY:Boyd Meets Girl (Free Concert)
DESCRIPTION:RESERVATIONS REQUIRED as church seating is limitedE-mail: FOMAdmin@friendsmusic.orgPhone#: 518.918.8003Masks & social distancing required \nLast minute change in performers! Unfortunately\, Empire Wild is not able to perform this weekend\, but we’ve found an amazing last-minute substitution.Boyd Meets Girl pairs Australian classical guitarist Rupert Boyd with American cellist Laura Metcalf. The duo performs an eclectic and engaging range of repertoire\, from Bach to Beyoncé. Both acclaimed soloists in their own right\, Boyd has been described as “truly evocative” by The Washington Post\, and as “a player who deserves to be heard” by Classical Guitar Magazine\, while Metcalf\, also a member of the ensembles Sybarite5 and Break of Reality\, has been called “brilliant” by Gramophone. (They will announce their program from the stage.) \n“Remember the name Rupert Boyd. While there may never be another classical guitarist like Segovia\, this young Australian left his audience with the impression that someday there may not be the likes of him again\, either.”  \n    – THE WASHINGTON POST  \nBoyd Meets Girl has toured throughout the USA\, India\, Nepal\, New Zealand\, and every state and territory in Australia. \nBoyd Meets Girl’s debut album\, released on the Grammy award-winning label Sono Luminous\, reached #3 on the Billboard Traditional Classical chart\, and received the following review in Gramophone: “They play like one\, with a harmony of purpose as sure as their intonation.” The album has received over a million streams on Spotify\, and has been broadcast on radio stations around the world\, including New York’s WQXR and SiriusXM\, and was selected as “Album of the Week” on California’s KDFC and Australia’s ABC Classic. \nRupert Boyd gave his Carnegie Hall debut as part of the D’Addario Music Foundation’s “International Competition Winners in Concert” Series\, and has performed at the Newport Music Festival\, National Gallery of Art (D.C.)\, Music in the Strathmore Mansion\, Marlow Guitar Series\, Grand Canyon Guitar Society\, Boston Guitar Society\, University of Denver\, University of Hawaii\, and has given concerts in the U.K.\, France\, Spain\, New Zealand\, India\, Nepal and the Philippines. In New York\, Rupert Boyd has performed at the Metropolitan Museum of Art\, New York City Classical Guitar Society\, Merkin Concert Hall\, Trinity Wall Street\, Bargemusic\, (Le) Poisson Rouge\, SubCulture\, and with a diversity of groups such as New York Festival of Song and Moving Theater Dance Company. \nRupert Boyd has released three solo recordings: The Guitar (Sono Luminus) was described by This Is Classical Guitar as “a must-have album of 2019”\, and received the following praise in The Weekend Australian: “Instantly one’s ears are pricked up by Boyd’s interpretive directness and a sparkling technique”; Fantasías (Little Mystery Records) was selected by American Record Guide as “Critic’s Choice” of 2016\, and was described by Classical Guitar Magazine as “a triumph of brilliant assured playing”; Boyd’s debut recording Valses Poéticos received the following review in Soundboard\, the Guitar Foundation of America’s quarterly publication: “Boyd’s playing is beautifully refined\, with gorgeous tone… musically and technically flawless… the album is first-rate.” Soundboard also described the eponymous work by Granados as “one of the best recorded performances of this work on guitar.” \nCellist Laura Metcalf\, renowned worldwide as a passionate solo and chamber musician\, has been acclaimed for her “brilliant” playing (Gramophone Magazine) and described as “a cellist whose passion for music is as evident as her artistry and talent” (I care if you listen). She has performed throughout the US and on six continents\, including South Africa\, Nepal\, Argentina\, Qatar\, Mongolia\, India\, Japan\, Korea\, New Zealand\, Kazakhstan\, and Australia. Laura’s debut solo album on the Grammy-winning label Sono Luminus\, reached #7 on the Billboard Charts\, and was called “a way forward for classical music” by AllMusic. \nAs a sought-after chamber musician and collaborator\, Laura is drawn to projects that push boundaries and expand the definition of classical chamber music. Laura is the cellist of groundbreaking string quintet Sybarite5\, which was the first-ever string quintet to win the Concert Artists Guild competition\, reached #1 on the Billboard Classical Charts\, and has toured extensively for over a decade\, performing in Carnegie Hall\, Lincoln Center\, Library of Congress\, and countless other major venues.  \nArtistic directors of the acclaimed Sunday morning concert series GatherNYC\, and a happily married couple\, the duo lives in New York City with their son Milo.
URL:https://friendsmusic.org/event/december-2021/
LOCATION:Stamford United Methodist Church\, 88 Main St.\, Stamford\, NY\, 12167\, United States
ATTACH;FMTTYPE=image/jpeg:https://friendsmusic.org/wp-content/uploads/2021/02/BMG-cropped.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20211121T150000
DTEND;TZID=America/New_York:20211121T170000
DTSTAMP:20260423T054026
CREATED:20210210T155445Z
LAST-MODIFIED:20211106T162714Z
UID:138-1637506800-1637514000@friendsmusic.org
SUMMARY:Akropolis Reed Quintet
DESCRIPTION:RESERVATIONS REQUIRED as church seating is limitedE-mail: FOMAdmin@friendsmusic.orgPhone#: 518.918.8003Masks & social distancing requiredBy donation \nThe Akropolis Reed Quintet is: Tim Gocklin (oboe)\, Kari Landry (clarinet)\, Matt Landry (saxophone)\, Andrew Koeppe (bass clarinet)\, and Ryan Reynolds (bassoon). \nPROGRAMLeonard Bernstein (1918-1990)Prelude\, Fugue\, and Riffs (1949) arr. John RomanoJeff Scott (1967)Homage to Paradise Valley (2019)Willem Jeths (1959)Maktub (2013)George Gershwin (1898-1937)An American in Paris (1928) arr. Raaf Hekkema \nHailed for their “imagination\, infallible musicality\, and huge vitality” (Fanfare Magazine)\, the Akropolis Reed Quintet takeslisteners on extraordinary musical adventures. Founded in 2009 at the University of Michigan\, the Akropolis has won sevennational chamber music prizes since 2011\, including the 2014 Fischoff Gold Medal and the 2015 Fischoff Educator Award. TheAkropolis is an alumnus of APAP’s prestigious Young Performer’s Career Advancement Program and has received grants from theNational Endowment for the Arts (Art Works)\, the Michigan Council for Arts and Cultural Affairs\, CultureSource\, Quicken Loans\, andChamber Music America\, as well as operating support from the Aaron Copland for Music and the Amphion Foundation.The Akropolis Reed Quintet‘s impressive list of recent and upcoming appearances include stops at Caramoor\, Chamber Music Northwest\,the Chautauqua Institution\, the Artist Series of Sarasota\, Chamber Music Abu Dhabi\, and Chamber Music Columbus. The Quintet hasbeen awarded a juried showcase at APAP (YPCA)\, Chamber Music America twice\, the Performing Arts Exchange\, the Western ArtsAlliance\, and the Mid-Atlantic Performing Arts Market. With three studio albums\, including its March 2017 release of The Space BetweenUs\, called “pure gold” by the San Francisco Chronicle\, the Akropolis has recorded 17 original reed quintet works. \nProlific collaborators\, the Akropolis’s 2018 “Together We Sound” Detroit festival features an improvisatory new work with YAK and aconcert with acclaimed soprano Shara Nova. The Akropolis premiered the first work for reed quintet and string quartet by David Schiffwith the Dover Quartet in 2015\, and has performed with such esteemed artists as the Miró Quartet and renowned clarinetist David Shifrin.In 2015 the Akropolis gave an interactive\, fully choreographed performance of “Four-Letter-Word“ (Robbie McCarthy) with BodyVoxDance in Portland\, Oregon\, and has even performed with HarperCollins published author and scientist Vic Strecher. In April 2017 theAkropolis’s residency in Abu Dhabi featured a performance of Marc Mellits’s “Splinter“ with original Arabic poetry performed by KhalifaUniversity students\, written around Mellits’s music. \nThe Akropolis Reed Quintet has commissioned more than 30 works from composers in 7 countries and was selected to adjudicate andpremiere the 2018 Barlow Prize funded by the Barlow Endowment\, the first time the prize will be given for a reed quintet work. TheAkropolis produces a YouTube Web Premiere Series with more than 40\,000 views\, showcasing new works\, arrangements\, and composerinterviews for a live Internet audience. In 2012 the Quintet created Akropolis Collection and has now sold over 140 original and arrangedsheet music works to more than 30 new and established reed quintets. \n 
URL:https://friendsmusic.org/event/november-2021/
LOCATION:Stamford United Methodist Church\, 88 Main St.\, Stamford\, NY\, 12167\, United States
ATTACH;FMTTYPE=image/jpeg:https://friendsmusic.org/wp-content/uploads/2021/02/Akropolis-Quintet-Header_SteveKorn-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20211017T150000
DTEND;TZID=America/New_York:20211017T170000
DTSTAMP:20260423T054026
CREATED:20210210T155445Z
LAST-MODIFIED:20211106T160647Z
UID:137-1634482800-1634490000@friendsmusic.org
SUMMARY:The Hunt-Berry Duo
DESCRIPTION:An indoor concert at the Stamford United Methodist Church88 Main St.\, Stamford\, New York 12167  \n\n\n\nRESERVATIONS REQUIRED as church seating is limitedE-mail: FOMAdmin@friendsmusic.orgPhone#: 518.918.8003Masks & social distancing requiredBy donation \n\n\n\nPROGRAM \n\n\n\nLeonard Bernstein (1918-1990)Prelude\, Fugue\, and Riffs (1949) arr. John Romano \n\n\n\nJeff Scott (1967)Homage to Paradise Valley (2019)I. Ghosts of Black BottomII. Hastings Street BluesIII. Roho\, Pumzika Kwa Amani (Spirits\, Rest Peacefully)IV. Paradise Theater Jump \n\n\n\nIntermission \n\n\n\nWillem Jeths (1959)Maktub (2013) \n\n\n\nGeorge Gershwin (1898-1937)An American in Paris (1928) arr. Raaf Hekkema \n\n\n\nThe Hunt-Berry DuoShirley Hunt\, violoncelloSylvia Berry\, fortepiano \nInterview with Bill Snyder at WSKG \nFrom Prussia with Love: Berlin and the Road to Beethoven’s Cello SonatasFeaturing works by Ludwig van Beethoven\, Carlo Graziani\, Carl Friedrich Abel\, and Jean-Louis Duport \nNotes on the ProgramDuring the short reign of Friedrich Wilhelm II – King of Prussia from 1786 to 1797- Berlin became an exciting hub of cello playing. In addition to being an avid cellist\, this monarch maintained an excellent orchestra\, and his musicality attracted the attention of many first-rate composers. Haydn\, Mozart\, Boccherini and Beethoven are the names most associated with him\, yet this program highlights lesser-known composers from Friedrich Wilhelm II’s orbit whose contributions to the cello’s increasingly virtuosic role were great. Graziani was Friedrich’s first teacher\, and the legendary Duport brothers carried on in this role while pushing the instrument’s limits. C.F. Abel\, a gambist and cellist of note who worked intimately with Johann Christian Bach\, dedicated works to Friedrich Wilhelm II that bridged the gap between baroque and classical aesthetics. The road paved by these composers led the way to Beethoven’s encounter with Wilhelm Friedrich II and the Duport brothers in 1796\, which yielded new works that put the fortepiano and the cello on an even playing field for the first time. \nAbout the ArtistsThe Hunt-Berry Duo is comprised of two artists who have dedicated their careers not just to historical instruments\, but to the study of late 18th and early 19th century performance practices. Shirley Hunt\, hailed for her Bach playing by The Strad as “…stylish and accomplished\,” recently became the first woman\, the first American\, and the first person of color to complete a compendium recording of J.S. Bach’s Suites and Sonatas for cello and viola da gamba. Sylvia Berry\, lauded by Early Music America Magazine as “…a complete master of rhetoric\, whether in driving passagework or cantabile adagios\,” made a critically acclaimed recording of Haydn’s London Sonatas on an 1806 Broadwood\, and has been featured as a soloist and chamber musician on a wide variety of historical keyboard instruments.
URL:https://friendsmusic.org/event/october-2021/
LOCATION:Stamford United Methodist Church\, 88 Main St.\, Stamford\, NY\, 12167\, United States
ATTACH;FMTTYPE=image/jpeg:https://friendsmusic.org/wp-content/uploads/2021/02/Shirley-Hunt2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210919T150000
DTEND;TZID=America/New_York:20210919T170000
DTSTAMP:20260423T054026
CREATED:20210210T155445Z
LAST-MODIFIED:20210914T151424Z
UID:136-1632063600-1632070800@friendsmusic.org
SUMMARY:David Fung\, piano
DESCRIPTION:An indoor concert at the Stamford United Methodist Church88 Main St.\, Stamford\, New York 12167 \n\n\n\nTributesThis program explores works of homage and devotion. In reflection of current events\, this program is dedicated to the unseen and unheard\, and to all those affected by the pandemic. Featuring works by J.S Bach\,  Samuel Coleridge-Taylor\, Florence Price\, Reena Esmail\, and Frederic Chopin. \n\n\n\nRESERVATIONS RECOMMENDED as church seating is limitedE-mail: FOMAdmin@friendsmusic.orgPhone#: 518.918.8003Masks required & social distancing encouraged.In-person donations welcome. \n\n\n\nPraised for his “ravishing and simply gorgeous” performances in The Washington Post\, pianist David Fung is widely recognized for interpretations that are elegant and refined\, yet intensely poetic and uncommonly expressive. Declared a “Rising Star” in BBC Music Magazine in 2019\, Mr. Fung regularly appears with the world’s premier ensembles including the Cleveland Orchestra\, the Detroit Symphony\, the Israel Philharmonic\, the Los Angeles Philharmonic\, the National Orchestra of Belgium\, the San Diego Symphony\, and the San Francisco Symphony\, as well as the major orchestras in his native country of Australia\, including the Melbourne Symphony\, the Queensland Symphony\, and the Sydney Symphony Orchestra.  \n\n\n\nIn the 2020-21 season\, Mr. Fung made his Los Angeles Philharmonic debut alongside Yuja Wang and conductor Gustavo Dudamel in the Sound/Stage series at the Hollywood Bowl\, play-directed Bach with Orchestra of St. Luke’s\, and returned to Caramoor for performances with both bass-baritone Dashon Burton and the Verona Quartet. This followed an eventful 2019-20 season\, which included a debut with the Detroit Symphony for its opening concerts celebrating the Orchestra Hall Centennial\, performances at Town Hall Seattle and Eastman Presents\, a collaboration with the Brentano Quartet at Yale University and Carnegie Hall\, and headlining the 2020 WQXR Pride Celebrations in New York City. Highlights for the 2021-22 season include appearances with the Charleston\, Niagara\, Racine\, and Vallejo Symphony Orchestras\, performances with the Las Vegas Philharmonic together with Tessa Lark and Joshua Roman\, reuniting with the Dover Quartet at his debut with the Tucson Winter Chamber Music Festival\, and a special project with Nico Muhly at Saint Thomas Church Fifth Avenue in New York City. \n\n\n\nMr. Fung’s highly acclaimed debut with the Cleveland Orchestra at the Blossom Music Festival was “everything you could wish for” (Cleveland Classical)\, and he was further praised as an “agile and alert interpreter of Mozart’s crystalline note-spinning” (The Plain Dealer). In the following week\, he performed Rachmaninoff’s Rhapsody on a Theme of Paganini at the Beijing National Stadium for their Olympic Summer Festival. He also performed the West Coast Premiere of Chen Qigang’s Piano Concerto\, “Er Huang”\, with the San Francisco Symphony. Other recent orchestral engagements include appearances with the symphony orchestras of Albany\, Arkansas\, Kitchener-Waterloo\, Israel\, Marin\, Southwest Florida\, Sun Valley\, Tacoma\, and Vallejo\, the Tampere Philharmonic\, the National Taiwan Symphony Orchestra\, the New Japan Philharmonic\, and Nordwestdeutsche Philharmonie. An incisive interpreter of Mozart and Bach\, Mr. Fung has also appeared with the Israel\, Los Angeles\, Melbourne\, Orpheus\, and Saint Paul Chamber Orchestras. \n\n\n\nAs a recitalist and chamber musician\, Mr. Fung is a frequent guest artist at prestigious festivals and venues worldwide. Festival highlights include performances at the Aspen Music Festival\, Blossom Music Festival\, Brussels Piano Festival\, Caramoor\, Edinburgh International Festival\, Hong Kong Arts Festival\, the Ravinia Festival\, Tippet Rise\, and Yeosu International Music Festival. At his Edinburgh International Festival debut\, the Edinburgh Guide described Mr. Fung as being “impossibly virtuosic\, prodigiously talented… and who probably does ten more impossible things daily before breakfast.” In recent seasons\, he has been presented in recital by Washington Performing Arts at the Kennedy Center\, Lincoln Center’s Great Performers\, the Louvre Museum\, the Palais des Beaux-Arts in Brussels\, the National Concert Hall in Taiwan\, and the Zürich Tonhalle. In 2015\, he gave a recital tour in China at all the major venues including the Beijing Concert Hall\, Shanghai Oriental Art Center\, Guangzhou Opera House\, and the Tianjin Grand Theater. \n\n\n\nMr. Fung garnered international attention as a prizewinner in both the Queen Elisabeth International Music Competition in Brussels and the Arthur Rubinstein Piano International Masters Competition in Tel Aviv. In Tel Aviv\, he was further distinguished by the Chamber Music and Mozart Prizes\, awarded in areas in which Mr. Fung has a passionate interest. The first piano graduate of the prestigious Colburn Conservatory in Los Angeles\, Mr. Fung also studied at the Hannover Hochschule für Musik and the Yale School of Music. His teachers include Margaret Hair\, Claude Frank\, Peter Frankl\, John Perry\, and Arie Vardi. Mr. Fung is on faculty at the University of Georgia and is a Steinway Artist.
URL:https://friendsmusic.org/event/september-2021/
LOCATION:Stamford United Methodist Church\, 88 Main St.\, Stamford\, NY\, 12167\, United States
ATTACH;FMTTYPE=image/jpeg:https://friendsmusic.org/wp-content/uploads/2021/02/David-Fung-0-Steinway-Album-Cover-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210815T150000
DTEND;TZID=America/New_York:20210815T170000
DTSTAMP:20260423T054026
CREATED:20210210T155445Z
LAST-MODIFIED:20210818T153700Z
UID:135-1629039600-1629046800@friendsmusic.org
SUMMARY:Invoke Multi-String Quartet
DESCRIPTION:August 15 @ 3:00 pm at Rexmere Park \nAn outdoor concert at the Churchill Historic Park District158-170 W Main St.\, Stamford\, New York 12167 \nRESERVATIONS RECOMMENDED as tent seating is limited; walk-ups will want to bring a lawn chair and arrive early to sign in.E-mail: FOMAdmin@friendsmusic.orgPhone#: 518.918.8003Masks required under the tent & social distancing encouraged.Rain or shine.In-person donations welcome. \nWSKG interview with bandmember Zach Matteson \n“…versatile and musically adventurous\, way more than classical…” – Capital Gazette \n“If the goal was to make classical music relevant\, it couldn’t have proven the point any more clearly.” – Columbia Free Times \nNick Montopoli – violin\, banjo\, vocalsZach Matteson – violin\, vocalsKarl Mitze – viola\, mandolin\, vocalsGeoff Manyin – cello\, vocals \nDescribed by one pretty important radio guy as “It’s not classical but it’s not\, not classical – Invoke is beautiful\, adventurous\, American and immediately engaging” (David Srebnik\, SiriusXM Classical Producer)\, Invoke continues to successfully dodge even the most valiant attempts at genre classification. The multi-instrumental quartet’s other not-nots encompass traditions from across America\, including bluegrass\, Appalachian fiddle tunes\, jazz\, and minimalism. Fueled by their passion for storytelling\, Invoke weaves all of these styles together to form a unique contemporary repertoire\, featuring original works composed by and for the group. \nMost recently the Young Professional String Quartet in Residence at the University of Texas at Austin\, Invoke has also participated in the Emerging String Quartet Program at Stanford\, and been selected as Artist in Residence at Strathmore\, the Emerging Young Artist Quartet at Interlochen\, and the Fellowship String Quartet at Wintergreen Performing Arts. In 2018\, the group was named a winner of the Concert Artists Guild Victor Elmaleh Competition in New York\, New York\, and won First Prize in the Open Category of the international chamber-arts competition M-Prize\, in Ann Arbor\, Michigan\, as well as First Prize in the Coltman Competition in Austin\, Texas. \nInvoke has shared the stage with some of the most acclaimed chamber groups in the country\, including the Ensō Quartet and the U.S. Army Field Band. Other professional highlights include performing in Carnegie Hall’s Weill Recital Hall in New York as part of the YPCA program at the APAP conference\, a concerto appearance with the Brevard Sinfonia\, a weeklong residency at the Stanford Pre-Collegiate Institute\, and concerts as part of the NextNOW Festival at University of Maryland and Festival Amadeus in Montana. \nTheir 2015 debut release Souls in the Mud begins with original works that conjure images of America\, including the fast-paced opening track “Travesty” and “The Trace” (inspired by bourbon whiskey). The third and title track\, “Souls in the Mud\,” is an American transformation of a 16th century motet featuring banjo\, mandolin and a bluegrass-influenced boot-stompin’ finale. To round out the EP\, Invoke accompanies a historic recording of a haunting traditional English ballad\, and finishes with two compositions by prolific American composer Danny Clay. \nInvoke’s second EP Furious Creek\, released in Fall 2018\, is their first record to include vocals. The title track explores the relationship between humanity and nature with an evocative chant bookending energetic instrumental interludes. A fast-paced tune\, “Dogs\,” spotlights the banjo with a finger-picking\, bluegrass-inspired undertow\, and Karl’s elegiac setting of the Walt Whitman\, “O Captain! My Captain!” features Nick’s recitation. The EP wouldn’t be complete without a fan favorite closing number\, Invoke’s arrangement of the Stephen Foster classic\, “Hard Times.” \nBesides performing original music\, Invoke believes in championing diverse American voices through new music. Invoke’s ongoing commissioning project\, entitled American Postcards\, asks composers to pick a time and place in American history and tell its story through Invoke’s unique artistry.
URL:https://friendsmusic.org/event/august-2021/
LOCATION:Rexmere Park\, 158-170 W Main St\, Stamford\, NY\, 12167\, United States
ATTACH;FMTTYPE=image/jpeg:https://friendsmusic.org/wp-content/uploads/2021/02/ebe7a1d5_Invoke19-PC-Nathan-Russell_0008-scaled-e1627927422617.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210718T150000
DTEND;TZID=America/New_York:20210718T170000
DTSTAMP:20260423T054026
CREATED:20210210T155445Z
LAST-MODIFIED:20210713T133058Z
UID:134-1626620400-1626627600@friendsmusic.org
SUMMARY:Zach Adleman Quartet
DESCRIPTION:An outdoor jazz concert at the Churchill Historic Park District158-170 W Main St.\, Stamford\, New York 12167 \n\n\n\nPlaying selections by Frank Sinatra\, Thelonious Monk\, Art Blakey\, and others. \n\n\n\nRESERVATIONS RECOMMENDED as tent seating is limited; walk-ups will want to bring a lawn chair and arrive early to sign in.E-mail: FOMAdmin@friendsmusic.orgPhone#: 518.918.8003Masks & social distancing encouraged.Rain or shine (under a tent).In-person donations welcome. \n\n\n\nBandleader and drummer\, Zach Adleman has performed at Carnegie Hall\, the 57th Annual Grammy Awards After Parties\, and the Newport Jazz Festival\, alongside jazz luminaries Wynton Marsalis and Randy Brecker. He holds a GRAMMY for participation on Ted Nash’s\, “Presidential Suite” and is the first place winner of the 2017 J.C Heard National Drum Competition. In addition to touring Italy\, Russia\, and Switzerland\, Zach has served on faculty at the Jazz Institute at Brevard in North Carolina. Zach has recoded 4 albums as a sideman\, and one as a co-leader of the Becoming Quintet\, which earned a Jazztimes and Downbeat review. While in college at the Juilliard School\, Zach performed with the Juilliard Artist Diploma Ensemble\, in addition to being selected to participate in the JAS Aspen Academy and the Ravinia workshop. \n\n\n\nAlexa Tarantino is an award-winning\, vibrant\, young jazz saxophonist\, woodwind doubler\, composer\, and educator. Tarantino was recently named one of the “Top 5 Alto Saxophonists of 2019” by the JazzTimes Critics’ Poll. Her debut album\, Winds of Change\, peaked at #15 on the JazzWeek Charts and landed at #79 for JazzWeek’s Top 100 records of 2019. She holds a Master’s degree in Jazz Studies from The Juilliard School and Bachelor’s degrees in Jazz Saxophone Performance and Music Education from the Eastman School of Music. Alexa is the Founder and Director of the Rockport Jazz Workshop in Rockport\, Massachusetts and Co-founder of A Step Ahead Jazz virtual workshop with pianist Steven Feifke. Alexa Tarantino is a Vandoren Artist and Yamaha Performing Artist.“[Alexa is] a one-woman wrecking crew\, […] an indomitable force for expression\, education\, and absolute excellence.” – Wynton Marsalis\, Managing and Artist Director\, Jazz at Lincoln Center \n\n\n\n \n\n\n\nNew York City based Bassist Mark Lewandowski originally hails from Nottingham\, England. His interest in the bass took him to London to study at the Guildhall School of Music and Drama. Whilst studying at the school Mark was rapidly producing a strong name for himself on the London scene; playing regularly at the world famous Ronnie Scott’s Jazz Club by only his second year in the capital. During this time he was also awarded the Yamaha Jazz award.Mark continued his studies in New York City as part of the celebrated Artist Diploma programme at the prestigious Juilliard School. He has been lucky to perform with a diverse range of musicians including such names as Wynton Marsalis\, John Surman\, Joe Chambers\, Johnny O’Neal\, Steve Wilson\, Javon Jackson\, JD Allen\, Sheila Jordan\, Billy Drummond\, Grant Stewart\, Vic Juris\, Dave Kikoski and Jeremy Pelt. \n\n\n\n \n\n\n\nPianist and composer Joe Block is a dynamic rising talent in the jazz world. Originally from Philadelphia\, Joe has had the opportunity to work and play with many esteemed musicians including Wynton Marsalis\, Kurt Rosenwinkel.\, Leslie Odom Jr.\, Steve Wilson\, Peter Bernstein\, Ari Hoenig\, Eric Alexander\, Jaleel Shaw\, Hannibal Lokumbe\, and The Captain Black Big Band. As a bandleader and sideman in New York and Philadelphia he has performed at numerous venues including Dizzy’s\, The Django\, Birdland\, Smalls Jazz Club\, Smoke Jazz Club\, Alice Tully Hall\, Chris’ Jazz Café\, South Jazz Parlor\, @exuberance\, Kimmel Center\, Philadelphia Clef Club\, Hilbert Circle Theatre (Indianapolis) and the Black Cat (San Francisco). He has also performed at the Monterey\, Belize\, Montclair\, Mid-Atlantic\, Next Generation\, and Telluride Jazz Festivals. Hailed by Jazz at Lincoln Center as one of “jazz’s most promising young composers”\, he has been commissioned to write or arrange music for the Jazz at Lincoln Center Orchestra with Wynton Marsalis\, the Philadelphia Ambassador Big Band\, the Juilliard Jazz Orchestra\, the Wynton Marsalis Septet\, and the Jazz Orchestra of Philadelphia\, for which he arranged part of Gustav Holst’s “The Planets”. Joe currently lives in NYC where he attends both the Juilliard School and Columbia University. He appears on the 2020 Grammy-nominated record “The Intangible Between” by Orrin Evans and the Captain Black Big Band. 
URL:https://friendsmusic.org/event/july-2021/
LOCATION:Churchill Park Historic District\, 158-170 W Main St\, Stamford\, NY\, 12167\, United States
ATTACH;FMTTYPE=image/jpeg:https://friendsmusic.org/wp-content/uploads/2021/02/Image.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210620T150000
DTEND;TZID=America/New_York:20210620T170000
DTSTAMP:20260423T054026
CREATED:20210210T155445Z
LAST-MODIFIED:20210615T214025Z
UID:133-1624201200-1624208400@friendsmusic.org
SUMMARY:Ulysses Quartet
DESCRIPTION:An outdoor concert at the Churchill Historic Park District158-170 W Main St.\, Stamford\, New York 12167Bill Snyder of WSKG interviewed the quartet in advance of this show: Listen Here!RESERVATIONS RECOMMENDED as tent seating is limited; walk-ups will want to bring a lawn chair and arrive early to sign in. E-mail: FOMAdmin@friendsmusic.orgPhone#: 518.918.8003Masks & social distancing required. Rain or shine (under a tent).In-person donations welcome. \n\n\n\nwww.ulyssesquartet.com \n\n\n\nUlysses Quartet\n\n\n\nThe Ulysses String Quartet has been praised for their “textural versatility\,” “grave beauty” and “the kind of chemistry many quartets long for\, but rarely achieve” (The Strad)\, as well as their “avid enthusiasm … [with] chops to back up their passion” (San Diego Story)\, “delivered with a blend of exuberance and polished artistry” (The Buffalo News). \n\n\n\nFounded in the summer of 2015\, the group won the grand prize and gold medal in the senior string division of the 2016 Fischoff National Chamber Music Competition and first prize in the 2018 Schoenfeld International String Competition. In 2017\, the quartet finished first in the American Prize and won second prize at the Osaka International Chamber Music Competition. They were winners of the Vietnam International Music Competition in 2019. From 2017 to 2019\, Ulysses was in residence at the Louis Moreau Institute in New Orleans\, working with composer Morris Rosenzweig. \n\n\n\nIn fall 2019\, the Ulysses Quartet were named as Lisa Arnhold Fellows of the Juilliard School\, an appointment that has been extended through May 2022. \n\n\n\nConsisting of Christina Bouey and Rhiannon Banerdt on violin\, Colin Brookes on viola and Grace Ho on cello\, the quartet’s members hail from Canada\, the United States and Taiwan. They have performed in prestigious halls such as Alice Tully Hall\, Jordan Hall\, and the Taiwan National Recital Hall. Performance highlights have included appearances at the Chamber Music Society of Lincoln Center\, the Harbin Grand Theatre\, Premiere Performances of Hong Kong\, and Naumburg Orchestral Concerts. Other notable engagements have included the Buffalo Chamber Music Society; Cecilia Concerts (Halifax); South Orange Performing Arts Center (New Jersey); Sprague Hall at Yale University; Mostly Music (New Jersey); Rhode Island Chamber Music Concerts; Chamber Music Society of Bethlehem (Pennsylvania); National Arts Centre (Ottawa); Bargemusic; Eastman School of Music; and Vietnam Connection Music Festival. \n\n\n\nAs live music begins to return\, the quartet’s upcoming schedule will include an appearance with the acclaimed Emerson Quartet as part of the Naumburg Orchestral Concerts\, as well as performances for Virtuosi Concerts and Death by Classical in New York City\, Westchester Chamber Music Society\, Syracuse Friends of Chamber Music\, Dumbarton Concerts\, Kelowna Community Concert Association\, Elon University\, Chamber Music Wilmington\, and the American Music Festival. In December 2021\, Ulysses will embark on a tour of Spain\, including performances in Bilbao\, Salamanca\, and at the Picasso Museum in Málaga. \n\n\n\nUlysses has recently completed work on their debut album\, to be released later this year\, and four more albums are forthcoming in the near future\, including collaborations with flutist Ransom Wilson and guitarist Ben Verdery\, as well as albums of quartet works. As a special project\, the group will record the quartets of composer Joseph Summer at Mechanics Hall in Worcester\, Massachusetts\, over the next several years. \n\n\n\nThe group’s name pays homage to Homer’s hero Odysseus and his 10-year voyage home. Additionally\, the quartet’s members live in close proximity to the resting place of former U.S. President Ulysses S. Grant in Upper Manhattan. The Ulysses String Quartet believes intensely in the power of music to inspire\, enlighten and bring people together. The quartet is committed to sharing this passion by increasing access to and appreciation for classical music while enhancing audience engagement. To this end\, the quartet offers interactive programs and workshops for all ages that serve to demystify the traditional repertoire while introducing audiences to exciting new works. Their programs frequently enable participants to learn about the inner workings of a string quartet and to explore the connections between classical music and our world today. \n\n\n\nThe members of Ulysses hold degrees from the Juilliard School\, Manhattan School of Music\, New England Conservatory and Yale University. The musicians perform on instruments and bows graciously on loan from the Juilliard School\, the Canada Council for the Arts’ Musical Instrument Bank and the Maestro Foundation. Ulysses is grateful for the support of Shar Music and Connolly Music.
URL:https://friendsmusic.org/event/june-2021/
LOCATION:Churchill Park Historic District\, 158-170 W Main St\, Stamford\, NY\, 12167\, United States
ATTACH;FMTTYPE=image/jpeg:https://friendsmusic.org/wp-content/uploads/2021/02/fom-ulysses-quartet.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210516T150000
DTEND;TZID=America/New_York:20210516T170000
DTSTAMP:20260423T054026
CREATED:20210210T155445Z
LAST-MODIFIED:20210603T201417Z
UID:132-1621177200-1621184400@friendsmusic.org
SUMMARY:Yoonah Kim\, clarinet & Wynona Wang\, piano
DESCRIPTION:Robert Schumann: Romance in F-sharp major\, op. 28 no. 2 Robert Schumann: Piano Sonata No. 1 in f-sharp minor\, Op. 11  \n\n\n\nClara Schumann: 3 Romances for violin and piano\, Op.22\,(arranged for clarinet and piano by Yoonah Kim)  \n\n\n\nJohannes Brahms: Sonata in E-flat major for clarinet and piano\, Op. 120 No. 2 \n\n\n\n\n\n\n\nHailed by The New York Times for her “inexhaustible virtuosity”\, clarinetist Yoonah Kim is rapidly earning recognition as a young artist of uncommon musical depth and versatility. Yoonah is a winner of the 2016 Concert Artists Guild International Competition. The first solo clarinetist to win CAG in nearly 30 years\, this Korean-Canadian artist joins the ranks of prominent solo clarinetists discovered by CAG\, including David Shifrin\, Michael Collins\, and David Krakauer. \n\n\n\nRecent performance highlights include Mozart’s Clarinet Concerto with the Maui Chamber Orchestra\, George Gershwin’s Rhapsody in Blue in a new arrangement for solo clarinet and string orchestra by Texu Kim\, and the World Premiere of a new concerto by Eric Nathan for Violin and Clarinet\, with violinist Stefan Jackiw and the New York Classical Players. Her recent chamber music appearances include performances of Messiaen’s Quartet for the End of Time with Stefan Jackiw\, cellist Jay Campbell and pianist Orion Weiss at Princeton University and the Crypt in New York City and also with the Junction Trio (Stefan Jackiw\, Jay Campbell\, and pianist Conrad Tao) at Rockefeller University.  \n\n\n\nYoonah recently made her New York recital debut at Carnegie Hall’s Weill Recital Hall\, and has also given debut recitals for Chicago’s Dame Myra Hess Memorial Concerts series\, Washington Performing Arts’ Music in the Country series\, Chamber Music Society of Little Rock and Union County Performing Arts Center. She also appeared as concerto soloist with the Arkansas Symphony Youth Orchestra\, the Chesapeake Youth Symphony\, and the DuPage Symphony Orchestra.  \n\n\n\nIn 2016\, Yoonah became the first woman to win first prize at the Vandoren Emerging Artist Competition\, leading to her world premiere performance of Pocket Concerto by American composer Dag Gabrielsen at The Music for All National Festival in Indianapolis\, presented by Yamaha. Earlier that year\, she was a featured soloist at Juilliard’s Focus Festival\, performing Donald Martino’s A Set for Clarinet at Peter Jay Sharp Theater in New York City. \n\n\n\nFrom 2016 to 2018\, Yoonah was a member of Ensemble Connect (formerly Ensemble ACJW)\, a highly selective two-year fellowship program under the joint auspices of Carnegie Hall\, The Weill Institute\, and The Juilliard School. With Ensemble Connect\, she performed regularly at Carnegie Hall\, often in collaboration with renowned conductors and guest artists. Highlights include collaborations with Sir Simon Rattle at Zankel Hall\, and with soprano Natalie Dessay at the Philharmonie de Paris. \n\n\n\nYoonah tours regularly with the ensembles FOUNDERS and Frisson\, and has appeared at chamber music festivals\, including the Marlboro Music Festival\, Mainly Mozart Festival\, Chautauqua Music Festival\, California’s Festival Napa Valley\, Maine’s Bay Chamber Music Festival\, Bravo! Vail\, Sarasota Music Festival\, and The Banff Centre Music Festival and the Thessaloniki Festival in Greece. \n\n\n\nBorn in Seoul and raised in British Columbia\, Yoonah Kim holds a Master of Music degree from The Juilliard School and a Bachelor of Music degree from the Mannes College of Music at The New School\, where she studied clarinet under Charles Neidich. \n\n\n\n\n\n\n\n\n\n\n\nChinese pianist Wynona Wang was selected as First Prize winner of the 2018 Concert Artists Guild International Competition\, which is just the latest in a series of impressive first prize performances\, along with the 2017 Wideman International Piano Competition in Louisiana. Among the many performance prizes awarded to her with these victories\, she will make her New York recital debut at Carnegie Hall’s Weill Recital Hall during the 2019-20 season on the CAG Winners series. \n\n\n\nAn active performer in China\, Europe and the United States\, Wynona recently earned her Performer’s Diploma under the tutelage of the eminent pianist Alessio Bax at Southern Methodist University in Dallas. While at SMU. she appeared in multiple concerto performances as well as numerous recitals and chamber music concerts\, including collaborations with cellist Andres Diaz and with the Escher String Quartet. Her upcoming itinerary features recitals in New York and Florida\, and concerto engagements in California and Texas. \n\n\n\nOther recent North American performances include the Northwest Florida Symphony Orchestra\, and the Meadows Symphony Orchestra of SMU in Dallas\, and such major festivals as PianoTexas\, Morningside Music Bridge in Calgary\, Canada\, the International Keyboard Institute & Festival in New York City\, and the Chautauqua Institution. Internationally\, Wynona has been a featured soloist with the Academic Symphony Orchestra of the National Philharmonic Society of Ukraine\, and the Romanian Mihail Jora Philharmonic Orchestra in Italy. She has also given numerous solo piano recitals in China—including cities such as Beijing\, Qingdao\, Hangzhou\, Wuhan\, Shenzhen\, Kunming\, Ningbo\, and Dalian—as well as in Spain (Madrid) and Indonesia (Jakarta). \n\n\n\nIn addition to her most recent first prize successes\, she has also garnered top honors at numerous competitions: the Meadows Concerto Competition at SMU; the Artist Recognition Scholarship Awards Competition at NYC’s International Keyboard Institute & Festival; the Hamamatsu International Piano Academy Competition in Japan; the First Indonesia Pusaka International Piano Competition in Jakarta; IX International Competition for Young Pianists in Memory of Vladimir Horowitz in Ukraine; and the Chautauqua Piano Competition. \n\n\n\nBorn in Beijing\, Wynona Wang began playing piano at age 4\, and went on to study at both the Music Elementary and Secondary schools at the prestigious Central Conservatory of Music (CCOM) in Beijing. In fall 2016\, she was awarded a full scholarship for her Performer’s Diploma at Southern Methodist University in Dallas\, and she now lives in New York while pursuing her undergraduate degree at The Juilliard School as a student of Dr. Robert McDonald.
URL:https://friendsmusic.org/event/may-2021/
LOCATION:Stamford United Methodist Church\, 88 Main St.\, Stamford\, NY\, 12167\, United States
ATTACH;FMTTYPE=image/jpeg:https://friendsmusic.org/wp-content/uploads/2021/06/fom-yoonah-kim.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210418T150000
DTEND;TZID=America/New_York:20210418T170000
DTSTAMP:20260423T054026
CREATED:20210210T155445Z
LAST-MODIFIED:20210603T154714Z
UID:129-1618758000-1618765200@friendsmusic.org
SUMMARY:Misha & Cipa Dichter\, piano
DESCRIPTION:Misha Dichter\, pianist\n\n\n\nNow in the sixth decade of a distinguished global career\, MISHA DICHTER remains one of America’s most popular artists\, extending a musical heritage from the Russian Romantic School\, as personified by Rosina Lhevinne\, his mentor at The Juilliard School\, and the German Classical style that was passed on to him by Aube Tzerko\, a pupil of Artur Schnabel. He also studied composition and analysis with Leonard Stein\, a disciple of Arnold Schoenberg.  \n\n\n\nBorn in Shanghai to parents who had fled Poland at the outbreak of World War II\, Misha Dichter and his family moved to Los Angeles when he was two; he began studying the piano at five. At the age of 20\, while enrolled at the famed Juilliard School in New York City\, he won the Silver Medal at the 1966 International Tchaikovsky Competition in Moscow\, which helped launch an enviable concert career. Shortly thereafter\, on August 14\, 1966\, Mr. Dichter was the guest soloist in a Tanglewood performance of Tchaikovsky’s Piano Concerto No. 1 with Erich Leinsdorf and the Boston Symphony Orchestra\, a concert that was broadcast nationally on NBC and subsequently recorded for RCA. Two years later\, he made his New York Philharmonic debut under the baton of Leonard Bernstein\, collaborating on the same concerto. Appearances with the Berlin Philharmonic\, Amsterdam’s Concertgebouw Orchestra\, the principal London orchestras and every major American orchestra soon followed.  \n\n\n\nA recognized champion of Leonard Bernstein’s Symphony #2\, Age of Anxiety\, Misha Dichter performed this great work with David Zinman and the Chicago Symphony Orchestra at the 2016 Ravinia Festival. During the 2017-18 season\, he collaborated on Age of Anxiety with Maestro Zinman and the Deutsches Symphonie-Orchester Berlin\, David Itkin and the University of North Texas Symphony Orchestra and Ward Stare and the Rochester Philharmonic Orchestra.  \n\n\n\nMisha Dichter has performed and recorded with some of the most illustrious conductors of the 20th and 21st centuries\, among them Leonard Bernstein\, Pierre Boulez\, Colin Davis\, Lawrence Foster\, Valery Gergiev\, Carlo Maria Guilini\, Bernard Haitink\, Mariss Jansons\, Kiril Kondrashin\, Erich Leinsdorf\, James Levine\, Lorin Maazel\, Neville Marriner\, Kurt Masur\, Riccardo Muti\, Eugene Ormandy\, Carlos Prieto\, André Previn\, Simon Rattle\, Gerard Schwarz\, Robert Shaw\, Leonard Slatkin\, Robert Spano\, William Steinberg\, Michael Tilson Thomas\, Hans Vonk\, Edo de Waart\, David Zinman and Pinchas Zukerman\, while notable chamber music collaborations have included violinists Itzhak Perlman\, Mark Peskanov and Nadja Salerno-Sonnenberg\, cellists Lynn Harrell and Yo-Yo Ma and the American\, Argus\, Cleveland\, Emerson\, Guarneri\, Harlem\, St. Petersburg and Tokyo string quartets. With his wife\, pianist Cipa Dichter\, he has toured North America and Europe\, presenting both masterworks and neglected scores of the two-piano and piano-four-hand repertoires. Mr. Dichter has been seen frequently on national television and was the subject of an hour-long European television documentary.  \n\n\n\nMisha Dichter’s discography on the Philips\, RCA\, MusicMasters and Koch Classics labels are legendary\, iconic and musically omnivorous\, encompassing the major scores of Beethoven\, Brahms\, Chopin\, Gershwin\, Liszt\, Mussorgsky\, Schubert\, Schumann\, Stravinsky and Tchaikovsky. A noted exponent of Liszt’s piano works and a champion of the composer’s forward-looking contributions to the development of music\, Mr. Dichter was honored in 1988 with the “Grand Prix International du Disque Liszt\,” presented for his Philips recording of the master’s piano transcriptions. His first recording with Cipa Dichter is a three-CD set of Mozart’s complete piano works for four hands and is available on the Nimbus label. American Record Guide called the album “an unmitigated delight\,” and Music Web International named it a 2005 “Record of the Year.”  \n\n\n\nIn 2007\, Misha Dichter took a three-month hiatus from the concert stage to deal with the onset of Dupuytren’s Disease\, a contracting of one or more fingers. After totally successful surgery and physical therapy\, Mr. Dichter returned to public performance and became a supporter of\, and spokesperson for\, the American Society for Surgery of the Hand. A brief audio/video presentation\, “Dupuytren’s Contracture: Misha Dichter – A Pianist Reborn\,” is accessible on YouTube.  \n\n\n\nMisha Dichter is an accomplished writer\, having contributed articles to many leading publications\, including The New York Times. He is also a talented sketch artist\, and in 2012 an e-book of his music-related illustrations\, “A Pianist’s World in Drawings\,” was released by Rosetta Books. Available on Amazon.com\, BN.com and from iTunes\, the e-book compiles over 50 original drawings that were created over the span of Mr. Dichter’s half-century career. (For more information\, visit www.apianistsworldindrawings.com)  \n\n\n\nFiercely dedicated to extending his artistic traditions to new generations of pianists\, Misha Dichter conducts widely attended masterclasses at major conservatories\, universities and music festivals\, including Aspen\, Curtis\, Eastman\, Harvard\, Juilliard\, Yale and Holland’s Conservatorium van Amsterdam.  \n\n\n\nwww.mishadichter.com
URL:https://friendsmusic.org/event/april-2021/
LOCATION:Stamford United Methodist Church\, 88 Main St.\, Stamford\, NY\, 12167\, United States
ATTACH;FMTTYPE=image/jpeg:https://friendsmusic.org/wp-content/uploads/2021/02/fom-cipa-misha-dichter.jpg
END:VEVENT
END:VCALENDAR